Showing posts with label Seth Godin. Show all posts
Showing posts with label Seth Godin. Show all posts

Monday, March 5, 2012

157. What Is School For?

"An artist is someone who brings new thinking and generosity to his work, who does human work that changes another for the better. An artist invents a new kind of insurance policy, diagnoses a disease that someone else might have missed, or envisions a future that’s not here yet. 
And a linchpin is the worker we can’t live without, the one we’d miss if she was gone. The linchpin brings enough gravity, energy, and forward motion to work that she makes things happen. 
Sadly, most artists and most linchpins learn their skills and attitudes despite school, not because of it. 
The future of our economy lies with the impatient. The linchpins and the artists and the scientists who will refuse to wait to be hired and will take things into their own hands, building their own value, producing outputs others will gladly pay for. Either they’ll do that on their own or someone will hire them and give them a platform to do it."


Seth Godin is one of my favorite modern thinkers. This man questions everything!!! Not in an adversarial, confrontational way...but in a "why can't we do things better?" kind of way.

I'm reading his new e-book right now. It's called Stop Stealing Dreams. It's available to download for FREE. I highly suggest that you do.

This man gives away some amazing material on his blog every day. (Yes, I subscribe.) But this e-book is a truly exceptional exploration on what needs improving in our educational system.

I know I've been blogging all about the gloriousness of going to one of these awesome grad schools for acting...and one of the reasons I think they are such great schools, is because I've experienced a lot of mediocrity in the U.S. educational system. (Which is the subject of Mr. Godin's current e-book.)

Now, that's not to say that NYU and Yale and Juilliard are PERFECT examples of educational utopia. They are not. I am sure that there's plenty of improvements that could be made (especially after reading Seth Godin's inspiring manifesto on education).

At any rate, I think it's important to question the quality of any institution that affects the quality of our lives as directly as school.

Why we do things the way that we do as a society? Is there a better way? Those are important questions for us to consider...especially within the institutions we most believe in.

Will this e-book interest you? It will if you've ever taken a required course in school and thought..."Why the HELL am I required to learn this B%ll$#it?"

Or if you have taken an elective and thought..."Why the HELL isn't THIS a REQUIRED course for alllllll graduates?" (That's how I felt when taking "Personal Financial Management 101" and  (to a lesser degree) "Stress Management 101". BOTH OF THOSE CLASSES SHOULD BE REQUIRED IN ORDER TO GRADUATE. Seriously, with the financial state of our country...and the INSANE amount of anti-stress medication that's prescribed in massive amounts...I mean, seriously...Do I remember a single thing about "Econ 101?" ...NO... However, "Personal Financial Management" literally changed my life. My parents never taught me how to invest or how to maintain a good credit score. BECAUSE THEY DIDN'T KNOW HOW TO THEMSELVES. That class should be required for alllll of the 99% to learn about how the 1% got to BE the 1%!... Just sayin'.)

Anyhoo, I'm only about 1/3 of the way through Seth's e-book right now. (Subway reading on my iPhone.) But it's seriously blowing my mind. I'm including some quotes below...hopefully to spark your interest...and give you an idea of what the book is REALLY about...not just my perception of it.

OMG! Ideas are so awesome. Experiencing new ones that ring super true is soooooo satisfying.

LOL!

Maybe I don't even NEED grad school? Huh? Maybe grad school would actually be COUNTER-PRODUCTIVE to my growth as an artist?

What about THEM ideas?

Blowing. My. Mind.

Question everything,
Virginia

The following quotes are all taken from Seth Godin's Stop Stealing Dreams... Please feel free to share these ideas with anyone you think may benefit by hearing/reading/debating them.

That's how change happens...one conversation at a time.


Chapter 9:  ...the man who industrialized the public schools he created left us with this admonition,…be ashamed to die until you have won some victory for humanity.
Unfortunately, that part of his curriculum is almost never taught in school.


Chapter 19: By their nature, dreams are evanescent. They flicker long before they shine brightly. And when creating dreams is more difficult. They’re often related to where we grow up, who our parents are, and whether or not the right person enters our life.
Settling for the not-particularly uplifting dream of a boring, steady job isn’t helpful. Dreaming of being picked—picked to be on TV or picked to play on a team or picked to be lucky—isn’t helpful either. We waste our time and the time of our students when we set them up with pipe dreams that don’t empower them to adapt (or better yet, lead) when the world doesn’t work out as they hope.
The dreams we need are self-reliant dreams. We need dreams based not on what is but on what might be. We need students who can learn how to learn, who can discover how to push themselves.


Chapter 25: Transparency in the traditional school might destroy it. If we told the truth about the irrelevance of various courses, about the relative quality of some teachers, about the power of choice and free speech—could the school as we know it survive?


Chapter 29: There really are only two tools available to the educator. The easy one is fear. Fear is easy to awake, easy to maintain, but ultimately toxic.The other tool is passion. A kid in love with dinosaurs or baseball or earth science is going to learn it on her own. She’s going to push hard for ever more information, and better still, master the thinking behind it.Passion can overcome fear—the fear of losing, of failing, of being ridiculed.The problem is that individual passion is hard to scale—hard to fit into the industrial model. It’s not reliably ignited. It’s certainly harder to create for large masses of people. Sure, it’s easy to get a convention center filled with delegates to chant for a candidate, and easier still to engage the masses at Wembley Stadium, but the passion that fuels dreams and creates change must come from the individual, not from a demigod.


Chapter 33: Can risk-taking be taught? Of course it can. It gets taught by mentors, by parents, by great music teachers, and by life.Why isn’t it being taught every day at that place we send our kids to?Bravery in school is punished, not rewarded. The entire institution is organized around avoiding individual brave acts, and again and again we hear from those who have made a difference, telling us that they became brave despite school, not because of it.


Chapter 35: Greatness is frightening. With it comes responsibility.If you can deny your talents, if you can conceal them from others or, even better, persuade yourself that they weren’t even given to you, you’re off the hook.And being off the hook is a key element of the industrialized school’s promise. It lets parents off the hook, certainly, since the institution takes over the teaching. It lets teachers off the hook, since the curriculum is preordained and the results are tested. And it lets students off the hook, because the road is clearly marked and the map is handed to everyone.If you stay on the path, do your college applications through the guidance office and your job hunting at the placement office, the future is not your fault.That’s the refrain we hear often from frustrated job seekers, frustrated workers with stuck careers, and frustrated students in too much debt. “I did what they told me to do and now I’m stuck and it’s not my fault.” What they’ve exchanged for that deniability is their dreams, their chance for greatness. To go off the path is to claim responsibility for what happens next.


Chapter 36: We demand that students have a trade to fall back on, an assembly-line job available just in case the silly dreams don’t come true. And then, fearing heartbreak, we push them to bury the dream and focus on just the job.

Chapter 44: The Internet is making the role of content gatekeeper unimportant. Redundant. Even wasteful. If there’s information that can be written down, widespread digital access now means that just about anyone can look it up. We don’t need a human being standing next to us to lecture us on how to find the square root of a number or sharpen an axe.(Worth stopping for a second and reconsidering the revolutionary nature of that last sentence.)What we do need is someone to persuade us that we want to learn those things, and someone to push us or encourage us or create a space where we want to learn to do them better.If all the teacher is going to do is read her pre-written notes from a PowerPoint slide to a lecture hall of thirty or three hundred, perhaps she should stay home. Not only is this a horrible disrespect to the student, it’s a complete waste of the heart and soul of the talented teacher.Teaching is no longer about delivering facts that are unavailable in any other format.



If you're into the above...DOWNLOAD THE FREE E-BOOK BY CLICKING HERE.

If you're not into it...delete.

Monday, January 30, 2012

127. The Odds

"Our business in life is not to get ahead of others, but to get ahead of ourselves." - E. Joseph Cossman

If you only consider "the odds," why would you ever attempt anything difficult or "competitive"? You wouldn't...you'd just give up before you'd even given yourself a chance to try. And maybe you'd pat yourself on the back for being "smart" and "logical" (a.k.a. safe and boring).

But has being SAFE ever helped you to better yourself or your life or your sense of self-worth or your financial outlook or...anything other than just being safe

I mean, "safe" is fine if you just want to continue to confirm for yourself that you have no other option than to do what you're doing now and venturing out would lead to almost certain failure.

"So many things now are completely up to us, more than ever before. Where and how and when we work and invest and interact and instruct and learn...If you think you have no choice but to do what you do now, you've already made a serious error. It seems to me that passing the buck on this merely because it's easier than choosing is precisely the wrong strategy. It enables an abdication of power that will be very hard to reverse. It's up to you, and that's part of the power that you've got." -Seth Godin

Fear surrounding the "slim odds of success" is a big obstacle to overcome and stops a lot of people trying things. And...yeah, sure...It's scary. It's daunting. It's overwhelming. It's discouraging. True. True. True. True.

But you know what's just SAD...Not trying at all. That's the saddest story I've ever heard.

So...What does this have to do with auditioning for graduate acting programs? Wellllll, these are some odds that have made my knees a little wobbly at times...

Perhaps it'll give you a little context, as to how many people audition for programs like Juilliard, here are some numbers (provided by Kathy Hood, Administrative Director of the Drama Division at Juilliard...Thanks, Kathy!):

Total # of applicants for Fall 2012: 1387 (964 BFA and 423 MFA)  
200 will audition in Chicago and 200 in San Francisco - the rest are auditioning in NYC.

On the day of my audition in New York (1/28/2012), 161 people were scheduled to audition and 155 actually auditioned (6 people cancelled due to illness, etc.)
 
18 people were called back from that group. (We actually had 19 because one other applicant, called back from the previous day, joined our group) 
9 people were interviewed.
On Friday, February 17th, emails will be sent out inviting 40 applicants (of that 1387 that auditioned) to come to New York for two days of "final callbacks." These two days will provide an opportunity for applicants to experience two days of classes where they will work intensely with faculty and have the opportunity to speak with current students. 
From the "Final 40" there will be 18 students selected for admission.

I wish I was a fantastically skilled statistician, so that I could crunch numbers and make a logical analysis and all sorts of fancy conclusions based on the above information.

However, that is not the way my brain works. My brain looks at it this way...


1387 = auditioning
18 = accepted 
1369 = rejected  

my logical brain = "What the hell am I doing here?"
my artist brain = "Maybe one of those 18 could be...me?"
my heart = "How many times am I allowed to audition before they'll stop me from trying again?"


So...Brain...Who is ruling the roost here? Who's really got the power? You or the numbers? You give your power away when you think of yourself as statistic. Failure is NOT inevitable...unless you don't even try...then it's CERTAIN.

You are a powerful human being and you have the ability to stack the odds in your favor...by learning as much as you can about how others have achieved success (no matter how statistically unlikely...somebody's getting accepted to grad school this year and it might as well be YOU), adapting the knowledge you've gathered to your own situation and taking action, continuing to make pursuing your goal a part of your DAILY life (not something that you'll "get around to someday" or you'll start as soon as you "insert your personal excuse here"...mine usually has something to do with "not enough money" or "not enough time" or "too embarrassing"), then surround yourself with supportive and inspiring people who will cheer you on and help you achieve your goal...oh, and DON'T GIVE UP! 

Then you're GOLDEN! Success is almost a SURE thing...of course, it may not always show-up in the "terms" you set in the beginning... or the way you had imagined...but you WILL be successful... eventually. Be patient. Be dedicated. SOMETHING awesome will happen. 

True story. 

I hope that will be YOUR story.

I hope that will be MY story.

F*#k the numbers.

Loves,
Virginia

"Success is not measured by what a man accomplishes, but by the opposition he has encountered and the courage with which he has maintained the struggle against overwhelming odds." – Charles Lindbergh
  

 

Sunday, January 15, 2012

114. TEDx Broadway

TEDxBROADWAY

Monday, January 23, 2012, 11:00am

New World Stages, New York



I love TED!!! This is my first opportunity to attend a LIVE event. Sooooo exciting! Come with me! I am a HUGE long-time fan of TED and this one is specifically focusing on Broadway. How cool is that!?

I think that exploring ideas for innovation and rethinking the established "norms" of how we approach Broadway is a valuable pursuit to ensure a thriving future for the theatre.

How can we innovate? How can we stay relevant in a culture inundated with sooooo many choices for inexpensive entertainment? What can we do better to capture the hearts and imaginations of audiences for generations to come?

If you don't know what TED is...check out the website or read below. This was taken from Seth Godin's Blog. I couldn't think of a better way to re-word it. So I figured it's better just to quote direct. Seth is brilliant.

The TED Imperatives
  • Be interested.
  • Be generous.
  • Be interesting.
  • Connect. 
In that order. If all you can do is repeat cocktail party banalities about yourself, don't come. If all you're hoping for is to get more than you give, the...event is not worth your time. If you're not confident enough to share what you're afraid of and what's not working, you're cheating yourself (and us). 
These aren't just principles for TED, of course. They're valid guidelines for any time you choose to stop hiding and step out into the world. It would be fabulous if people who were willing to commit to these four simple ideas had a special hat or a pin they could wear. Then we wouldn't have to waste our time while looking for those who care about their work and those around them. 
[TED is a conference that started small, got big and then spawned more than a thousand local versions [LIKE TEDx BROADWAY]. Mostly, it's a culture of connecting interesting ideas and the people who have the guts to share them. Sometimes people at TED even follow these imperatives].

Q: How did I hear about this TEDxBROADWAY event?

A: First read about it in a great post on Ken Davenport's Blog, The Producer's Perspective. He's one of the brilliant visionaries helping to produce the event. He's made a name for himself as an innovator and industry leader, here in NY. His blog has become super popular and his passion and vision for the future of Broadway is infectious.

Cannot wait to hear the speakers, participate in the discussions, and see who else shows up at this awesome event! Hope to see you there.

Loves,
V

P.S. Did some extra credit monologue work just for myself today...in my kitchen...whilst doing the dishes. I've been working primarily on my 4 required monologues for grad school auditions, but I've heard many-a-story about other folks getting asked for other alternative pieces. And since I've been doing this monologue-auditioning-thing for a while...I do have several other monologues that I COULD do. So I decided to take the opportunity today to brush up a few alternative monologue options. Such that, if I was asked to pull something else out of the air, I could do it...without freaking out and thinking..."DAMN, what the hell is the first line of this monologue...Or worse...What's the LAST line of this monologue...Yikes!" I mean, honestly, if the auditors are asking you to do something that's outside of the requirements that you've prepared for the audition, then they're definitely going to be giving you some extra brownie-points for going-with-the-flow and being brave enough to just go for it and throw something out there! So I've dusted off 4 other monologues that I could throw-down on a moment's notice. Soooooo that's 8 monologues total. I doubt I'll need more than 2, but if not...I've got 6 others in my back pocket. Now, is that ridiculously over-kill or what? My need for a sense of safety and preparedness knows no bounds. Good thing? Bad thing? Depends on your point of view, I suppose. Me? I think it's a bit much. But, it's how I operate. So I just gotta accept myself and go with it. 8 monologues. Stop there, Wilcox. You don't need any more than that. Don't go crazy.